This evening, being very tired, I decided to watch two films that I haven't even got out of the plastic packing yet. The films are the Japanese original versions of The Grudge. The film came out in 2000, and if you want the story, check out IMDb on this link: http://www.imdb.com/title/tt0330500/plotsummary
What I found interesting was the use of multiple narratives. This can be found in Rashomon by Aikira Kurosawa from 1950, but also in the old German expressionism films from the begining of the 1900's.
After watching myself tired of old German expressionism films, Russian montage films and Japanese films for my two courses, i thought this was going to be a relaxing film session, but no way...
One interesting thing I have noticed that also makes the similarities with the German expressionism films (which have influenced the history of horror films, as you can see up till modern day time) is the use of sounds and exaggerating (sound film became a part of film history during the German expressionism movement). An example is when the small child are making a cat sound when he opens his mouth. This is what the producer are using to scare us.
Sound, are the most important component for this film as of what I can interpret from the film. We have many examples of unnatural sound (like in above mentioned scene with the child and the cat sound), but also in the segment with Yuki, Yuki can hear sounds her friend Kanna can not. We have even an example of non-diegetic internal sound when the teacher (Kobayashi) is reading the mothers diary.
We can also find quite a few similarities with the other film too (in this case not Ju-On 2, but Ju-On: The Grudge II, which I have understood is not second film in the series), both in the plot where we can find for example the pregnant woman and the cat, but also in the way the film is made, with multiple narratives and we can start to assume that sound has a important role even in this film in the opening scene when the radio is not working.
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